ADELSON E SALVINI PDF

The action takes place in 17th-century Ireland at the castle of Lord Adelson bass. Nelly rejects the infatuated Salvini, who tries to commit suicide. During the ensuing struggle a shot is heard and Salvini mistakenly believes that Nelly has been killed. When Nelly revives, Salvini recovers from his infatuation and she prepares to marry Adelson You do not currently have access to this article. Please login to access the full content.

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The action takes place in 17th-century Ireland at the castle of Lord Adelson bass. Nelly rejects the infatuated Salvini, who tries to commit suicide. During the ensuing struggle a shot is heard and Salvini mistakenly believes that Nelly has been killed. When Nelly revives, Salvini recovers from his infatuation and she prepares to marry Adelson You do not currently have access to this article. Please login to access the full content. Printed from Grove Music Online.

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Join StageAgent today and unlock amazing theatre resources and opportunities. Research Playwrights, Librettists, Composers and Lyricists. Browse Theatre Writers. A three act opera about a young painter, Salvini, who falls in love with the fiance of the wealthy and powerful Lord Adelson, Nelly. Nelly's uncle, Struley, outlawed from Ireland, where the opera takes place, for some unspecified political offense, and a bitter enemy of Adelson, uses this passion as a means to be revenged on Adelson. A letter, seemingly, from Adelson's father giving news of Adelson's impending marriage to a London lady of rank, is shown to Salvini and this brings matters to a crisis.

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BELLINI Adelson e Salvini

Bellini's first opera was written as his final project at the Naples San Sebastiano Conservatory, when the composer was 23 years old. It was the custom at the Conservatory to introduce promising students to the public with a dramatic work. Bellini styled his project an opera semi-seria , and it was first performed at the Teatro del Conservatorio di San Sebastiano in Naples sometime between mid-January and mid-March , although David Kimbell states 12 February Bellini's score does not bring out much of the humour of the piece. Nevertheless, the work was so popular among the Conservatory's student audience that it was performed every Sunday for a year.

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