The story concerns the legendary sacrifice of Iphigenia by her father, Agamemnon. When the Greek fleet is becalmed at Aulis, thus preventing movement of the expeditionary force against Troy, Agamemnon is told that he must sacrifice Iphigenia to appease the goddess Artemis , who has caused the unfavourable weather. Agamemnon lures his daughter to Aulis by pretending that she will marry Achilles. Once she learns the truth, Iphigenia begs for her life, but eventually she goes willingly to her death. Iphigenia at Aulis. Info Print Cite.

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Many immigrants arrived on the Greek islands, as well as in Italy. De Bernardi also filmed the border town Ventimiglia, where refugees play football and queue up for aid in a parking lot. But the focus of this documentary is on the Greek coastal resort Amarynthos, which looks out on Boeotia, where the ancient port of Aulis once lay.

This was the setting for Euripides' Iphigenia in Aulis , the tragedy in which King Agamemnon demonstrates his willingness to sacrifice his daughter Iphigenia. De Bernardi uses locals as the 'dramatis personae' — protagonists such as Iphigenia, Clytemnestra, Agamemnon and Achilles, and has them read excerpts from the play.

Fragments which, like a Greek chorus, comment on the status of refugees in Europe. A banner reads 'Solidarity', and a life jacket forms a leitmotif throughout the film. Familiar faces from the world of film: new work from established filmmakers, auteurs and festival Choosing stylised vivacity over realism, this anti-war period drama set on the eve of World War Two captures an historical moment of frenzy. The director of cult film Hausu follows a group of teenagers caught up in the chaos of impending war.

The great Portuguese filmmaker Villaverde spent a summer in the company of her Italian cult colleague Tonino De Bernardi. Her documentary is a loving, intimate and artistic portrait of a unique filmmaker, and at the same time an associative essay on the art of living — and living for art. As usual with James Benning, the proposition is extremely simple. Here, he points his camera at four people three women, one man who spend just under half an hour reading.

Then we see a quote from the book. The result, as we call it, is vintage Benning. Programme Signatures Familiar faces from the world of film: new work from established filmmakers, auteurs and festival Read more about this programme.


Ifigenia in Aulide

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Iphigenia at Aulis

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